Our guest this week is the architect Larry Malcic. Larry was born in St Louis in the American mid west. He later went on to study architecture at the University of Pennsylvania, being taught for a time by the hugely influential architect Louis Khan.
After University it was in St Louis that Larry started his own practice – just over the road from HOK the practice formed by George Hellmuth, Gyo Obata and George Kassabaum.
Alongside his practice, Larry taught for a time at Washington University in St Louis – teaching for a while alongside his good friend Neave Brown.
In 1988 Larry joined HOK – the office across the street – and then moved across the Atlantic to start HOK’s European practice, based in London.
Under his leadership the office has grown to over 130 people, partly growing organically and in 1995 by incorporating the practice Cecil Denny Highton.
HOK now has 24 studios across the US and Canada as well as offices in Beijing, Hong Kong, Shanghai, Mumbai, Dubai and of course London – making it comfortably one of the world’s ten largest architecture firms.
On the programme this week we speak to the architect Clare Richards.
Clare took an unusual route into architecture. Clare started her career as a researcher for BBC television before joining commercial broadcaster TV-am for its launch in 1983. TV-am was hugely influential as the UK’s first nationwide commercial breakfast television programme. It left a huge legacy on the UK media landscape. It’s bold ambition as a television programme was matched architecturally with an iconic modernist building designed by Sir Terry Farrell.
Following a successful television career as a documentary filmmaker, focusing on difficult social and societal problems, she took the bold decision to change direction – enrolling at the Bartlett School of Architecture in London.
She went on to develop her experience of working in collaboration with local communities. Indeed, in 2010 she won the RIBA President’s Medal for her dissertation Happy Communities.
Since qualifying as an architect in 2012 she has chosen an equally unusual path working on a range of projects, often in close collaboration with residents.
She recently founded ft’work, a not-for-profit company with an ambitious aim – to ensure that clear social principles underpin all new development and regeneration.
On the programme this week we speak to Chris Wilkinson and Jim Eyre, directors of WilkinsonEyre.
Chris founded Chris Wilkinson Architects in 1983 with Jim joining the practice – now WilkinsonEyre – in 1987. The practice now employs more than 200 people in London, Hong Kong and Sydney.
Chris originally studied architecture at the Regent Street Polytechnic – now part of the University of Westminster – before working for Denys Lasdun, Norman Foster, Michael Hopkins and Richard Rogers, before starting his own practice.
Jim studied at Liverpool University and at the Architectural Association before working at Hopkins Architects where the two met.
The practice has won numerous awards, including the RIBA Stirling Prize – two years running – in 2001 for the Magna Centre in Rotherham; and in 2002 for the Gateshead Millennium Bridge.
They won the RIBA’s International Lubetkin award for the Guangzhou International Finance Centre in China and continue to gain a significant amount of work from overseas.
The practice is currently on site overseeing the plans for the renovation of Sir Giles Gilbert Scott’s iconic Battersea Powers Station in London.
The London Festival of Architecture is now – by some margin – the world’s largest annual architecture festival – taking place each year throughout the month of June. This year we held over 530 separate events: including talks, architectural installations, exhibitions, film screenings, tours, Open Studios, debates, architectural bake offs and much, much more. All this helped the festival engage an audience of well over 600,000 people.
Our theme for this year’s festival was ‘identity’. The theme was picked up by many event organisers and allowed us to explore a range of cultural and political issues that relate both to our city and to architecture more broadly.
On the programme this week we speak to Francesco Stassi and Alice Tasca, principals of Active Social Architecture in Kigali.
This week’s programme was recorded in Rwanda as part of a series of episodes we’re bringing you from East Africa to explore identity and architecture. Identity is the theme of this year’s London Festival of Architecture.
Active Social Architecture – or ASA studio was founded in 2012 by Nerea Amòros Elorduy and Tomà Berlanda following their extensive work on projects for PLAN INTERNATIONAL and UNICEF, but when the two moved on the firm was taken on by Francesco and Alice along with Zeno Riondato. Together they now lead the firm’s work on a range of projects from healthcare to schools and education facilities.
Alongside the practice Alice continues to teach at the Department of Architecture at the Kigali Institute of Science and Technology, now part of the University of Rwanda. The University of Rwanda is still the only architecture school in the country.
This week’s episode was recorded in Nairobi as part of a series of episodes we’re bringing you from East Africa to explore identity and architecture. Identity is the theme of this year’s London Festival of Architecture.
Tom originally studied architecture at the University of Nairobi before working for Richard Hughes and Partners in Nairobi. He subsequently left Nairobi to take his Masters Degree at the Helsinki University of Technology – now Alvar Aalto University – then going on to complete his PhD in Olso.
On the programme this week we speak to James Mitchell and Carolina Larrazabal from Orkid Studio in Nairobi.
This week’s episode was recorded in Nairobi as part of a series of programmes we’re bringing you from East Africa to explore identity and architecture. Identity is the theme of this year’s LFA.
Orkid Studio was founded in 2008 by James Mitchel and Julissa Kiyenje in Cardiff where the pair studied. James was just 19 at the time. Their aim was to establish a practice interested in providing architectural services to a wider section of society.
Much of their early work was conducted during holidays and time away from study and teaching – where James taught at the Mackintosh School of Architecture. The practice made the decision relocated the practice from Glasgow to Nairobi in 2016 . The practice has gone on to win much praise from across the profession.
In this week’s episode we speak to Theophile Uwayezu, architect and associate at MASS Design Group in Kigali, Rwanda.
This week’s episode was recorded in Kigali as part of a series of episodes we’re bring you from East Africa, exploring identity and architecture. Identity is the theme of this year’s LFA.
MASS Design Group was established in Massachusetts in 2008 as a 501(c)(3) not-for-profit organisation.
In the words of the practices “Architecture is never neutral. It either heals or hurts.” MASS say that their “mission is to research, build, and advocate for architecture that promotes justice and human dignity.”
MASS Design Group began in 2008 as an idea for a different way of practice by a group of students at the Harvard Graduate School of Design.
The practice’s first project in Rwanda was to design and build the Butaro District Hospital in partnership with the Rwandan Ministry of Health and the NGO Partners In Health.
The practice went on to open an office in Kigali where it’s now one of the largest firms in the country.
Theophile studied architecture at the University of Rwanda – the country’s only architecture school – where some of MASS Design Group’s partners still teach.
For this week’s episode we talking to Adrian Jankowiak and Julita Bhagat, Co-Directors of Nairobi Design Week – an organisation with a mission close to our own hearts, promoting design – in all its disciplines – to a wide public audience.
This episode was recorded in Nairobi, the first in a series of episodes we’re bringing you from East Africa to explore identity and architecture. Identity is the theme of this year’s London Festival of Architecture.
Originally from Poland, Adrian studied Industrial Design at Loughborough University before going on to work for as an industrian designer for various multinationals. He worked in many developing countries before going to Kenya.
Kenyan national Julita meanwhile is currently studying Human Centred Design at the Nairobi Design Institute.